Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
€9EUR or more
Record/Vinyl + Digital Album
140 grams black vinyl.
Limited lithographic print by Paul Witherden.
Exclusive access to Absent Friends live audiovisual recording, featuring unreleased music by Minor Science and visuals by Paul Witherden.
Balmat sticker.
Full colour cover - printed inside and outside.
Black poly-bag inner sleeve.
Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with 'Absent Friends Vol. III', the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms.
The first two Absent Friends—a 2014 set for Blowing Up the Workshop, and a 2017 cassette and web player for Whities (now AD93)—were hybrid affairs, part DJ mix and part collage, mostly featuring music made by other people. Then, in 2020-21, Finlayson developed the project into a live show of his own material. Armed with hundreds of bespoke stems created in his studio—idiosyncratic FX chains, feedback loops through cheap rack gear, heavily post-processed field recordings, found voices, etc.—he would improvise on four CDJs, mixer, FX, and live synths, extending techniques he learned as a club DJ into a live context, accompanied by visuals by Stockholm-based artist Paul Witherden.
'Absent Friends Vol. III' is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly opaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”
The album’s underlying themes—reflected in Witherden’s video for lead single “Dread the Evening”, as well as the print that accompanies the limited-edition version of the LP—include psychedelia and togetherness, universal cornerstones of virtually any experience of dance music. “Overall I see this record as almost like a photographic negative of the other release I did this year, 064 on AD93,” says Finlayson. That EP’s two fiercely peak-time-oriented tracks, “Workahol” and “Casheine,” offer “a response, by way of caricature, to the time scarcity, precarity, and hypercompetitiveness that are features of my life right now (and I think many other people’s too),” he says. “Absent Friends Vol. III responds to the same situation in a contrasting way. I like that both have a clock on the cover. Both invite you to consider the passage of time. On the club record, time is finite and ticking away fast. On this one, there are little moments where the secondhand seems to pause.”
supported by 41 fans who also own “Absent Friends Vol. III”
This album was featured on the May 30, 2023 episode of Foxy Digitalis Daily: https://foxydigitalis.zone/2023/05/30/foxy-digitalis-daily-5-30-23-%c2%b5-ziq/ Brad Rose
supported by 32 fans who also own “Absent Friends Vol. III”
Ylia has a way with textures and a great depth of different approaches while still sounding unique to her. Favorite of 2023. A Strangely Isolated Place
supported by 32 fans who also own “Absent Friends Vol. III”
An album i liked so much, i bought it twice. Beautiful synth scapes that pull the listener into deep realms of undulating sonic shimmers and canyon shadows of dub techno. There are nods in the direction of Von Oswald's Channel but the approach is completely signature to Hoavi and it arrives with confidence. I could listen to 'Cosworth' on repeat for an hour and never tire. neglectsound